![]() The indie “It” girl of the group was receptionist Agnes DiPesto, played by Allyce Beasley in a wardrobe of mismatched, vintage-feeling pieces, shawls, and funky jewelry. ![]() He was there to listen to what you said, and then improve upon it.” The show’s meta nature “required heightening, so that the audience could feel the wink and understand, ‘There’s a certain amount here that we want you to take seriously, and there’s another amount that we really don't expect you to.’ The wardrobe helped make that statement.”Īllyce Beasley as Agnes DiPesto. But what was great about him was he wasn’t there to do what you told him to do. “You could say to him, and I often did, ‘She’s a Hurrell photograph,’” referring to the Old Hollywood studio photographer, “and he would understand. “He was someone that you trusted,” not simply for his taste, but because of his intuition. “To say that Robert was the captain of his own ship would be understating it,” Moonlighting creator Glenn Gordon Caron says. Turturice immediately grasped the postwar-meets-postmodern slant of the show, with its screwball DNA and very of-the-moment breaking of the fourth wall, in which the characters might cut short their His Girl Friday bickering to mention an upcoming commercial break. The show is about the supremacy of style, whether that’s a finely-tuned wisecrack or a stunningly decorated set. Courtesy of HuluĪs with its noir ancestor The Big Sleep (a film whose plot Raymond Chandler didn’t even understand), Moonlighting’s mysteries of the week (and the murkier mystery of the Blue Moon Detective Agency’s financial viability) are never really the point. (His other credits include Batman & Robin, Beaches, and Gia he passed away in 2009.)Ĭybill Shepherd as Maddie Hayes on Moonlighting. Costume designer Robert Turturice was the man behind the style onscreen. Instead, it took visual (and script) cues from Golden Age screwball comedy and film noir-Howard Hawks, Preston Sturges, and numerous Raymond Chandler adaptations-and translated it for the upwardly mobile yuppie era. Moonlighting was never as high-camp as its network neighbors. ![]() When the detective-agency comedy came on the air in 1985, ABC was best known for glossy, soapy Aaron Spelling productions like Dynasty. ![]() But the show’s fashion, particularly in the context of 2023’s power dressing moment, feels more relevant than ever, despite being old enough to have a tidy sum socked away in a 401(k). There’s much to love about Moonlighting, from the fastball-quick dialogue to the crackling chemistry between stars Cybill Shepherd and Bruce Willis. Until this month, that is, when Hulu announced the series would be streaming for the first time ever. Fans have either had to trade DVD box sets of the classic ’80s show or bid for them on eBay. Style Points is a weekly column about how fashion intersects with the wider world.įor years, Moonlighting has existed as a secret handshake. ![]()
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